Servando & Florentino
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20 years of the first time

Artist reviewed by:
SongBlog

Today marks 20 years of the premiere in Venezuelan billboard first time, the film that recorded the euphoria generated in the nineties the Salserín orchestra. It is not rash to assert that the country has not been in such a crowded music among children and adolescents as there was at that time phenomenon.

Chino y Nacho are popular, it is true. Their concerts are filled despite the price of tickets. However, the duo's career does not resemble what caused the youth two decades ago by the group that then were leading Servando y Florentino Primera.

Salserín was a popular success that had an impact in various fields. Venevisión produced a series called every evening From sunrise to sunset, as the classic intergenerational seeks to be the voice of Servando was transmitted. In addition, the train of emotions and illusions was used by the national cinema with the film directed by Luis Alberto Lamata scripted by Leonardo Padron, one of the highest grossing films Venezuelan national history. I also remember an album of barajitas made thousands of parents worry about profitability pocket and then, once the first brothers separated from Salserín, journalists Hilda Lugo Conde and Orlando Suarez wrote a book about them.

One of the great achievements of Salserín is to have made the sauce a similar pop bands then known and had made history as the Backstreet Boys and Menudo phenomenon. All is not lost. Even beyond praise, there were those who criticized the sons of Ali Primera now be the image of a group that quickly became famous through the commercial media then and with a romantic and youthful work. It was obvious that the boys sang about feelings that surely had not experienced. Manuel Guerra, creator of Salserín, was the pen of songs like "I without you" and "A love like ours." But that did not detracted from an orchestra that sounded good and that delved into the feelings of many teenagers, at a stage of discovery and very few certainties, except those that begin to take hold in the songs of those who believe they understand us.

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