Aldemaro Romero is one of those Venezuelan musicians who always have to talk. Not out of obligation, but because even his artistic and musical dimension is not yet perceived as a whole. It's like being on the planet Mercury and try to measure the size of the sun's rays, which is so close.
Romero meet next year a decade of his death; and yet the Latin music world has not understood the contribution of this exceptional musician.
First, we might note the New Wave, the genre that combines traditional Venezuelan rhythms with jazz harmonies, plus other components of contemporaneity, and provide a very special and as urban rhythm, which keeps track. On a theme of New Wave-whether Aldemaro, whether sea- who can develop a meta-theme, with improvisations and leads with inflections of unsuspected riches. The pace lends itself to the song, for the showcasing of vocal and instrumental skills, and, by the same dye that imposed itself Aldemaro of funny, humorous, informative, urban, romantic lyrics without losing style and elegance.
Second, by giving the category of "self-taught" a particular and unique dimension. Aldemaro always felt very proud of the condition of self, and the truth is that the teacher was a great scholar. Even in an interview we came to confess that while it is true there was not studied in a particular school, had watered as important sources like all classical music composers, including Johann Sebastian Bach.
Third, and last (more reasons to limit our exposure to the subject exhaustion) by the legacy of compositions left. He was not only a great pianist and composer peerless, also addressed investigate the particular language of each instrument, and the task of writing to each instrument a solo concert with orchestra began. A wonderful legacy intact is there to be discovered.
