Straight outta Compton, no automatic solidarities

One of the best films of 2015 is Straight Outta Compton F. Gary Gray, who manages a film that goes beyond the barriers of those who call themselves fans of NWA. No automatic solidarities in a film that at first glance could be commended for the most blinded followers of hip hop group.

The director with screenwriters Jonathan Herman and Andrea Berloff is responsible for a film that portrays very well the time a fledgling rap was beginning to be annoying in the ears of those who felt superior, those who used the police force to subdue. Compton as a center of persecution, humiliation and time of artistic creation. The place where DJ Yella, Dr. Dre, Eazy-E, Ice Cube and MC Ren. Arabian Prince gathered to make history.

It is the old story of the rapid rise of young artists, the consequent ego and their frictions, but with the surprise of the good narrative suspense, expectation of good outcome even for those who know the stories of these musicians who defied their context, the path of crime, but also the prejudices, the underestimation and powerful supremacy.

Until now, when the awards season begins, it has been taken into account by very few reputable organizations, except for the Screen Actors Guild Awards. Now competes for an Oscar for Best Adapted Screenplay. It is a plot in which each shows the worst thing became not only in adverse situations, but when the good run in album sales and concerts begins to undermine the camaraderie of the members.

One of the epic moments of the film is when the group decides to play his classic "Fuck tha Police" despite the warning not to do so. The presentation becomes a battlefield, a hotbed in which intolerance and repression against genuine criticism manifests. While in the United States boast of freedom of expression, are not few exceptions to this belief and art he said.

Straight Outta Compton not only has all the elements to become a classic of the genre, but also the biographical movie, as Ray Taylor Hackford. and W alk The Line by James Mangold, to name a few recent.