It’s been couple of weeks since I have reviewed politically charged album. Shocking! At one point, I had a feeling every album I am covering is reflecting tectonic changes in global politics. After a short break from this type of records, here is another one that focuses on criticism of neo-liberalism and capitalism, among other –isms.
At the beginning of June, we have finally got a debut release by Israeli singer Noga Erez who can not breathe from all the praises she is getting from relevant music media. She is also glorified by regular audience, so it is plausible to conclude she is the brand new force to be reckon with.
Twenty seven year old Noga Erez based her music expression on amalgamation of indie pop and electro beats with grime, techno and trap. When it comes to lyrics, attractive rhythms are enriched with political, militant, socially engaged themes. This is why comparisons with M.I.A. were inevitable. Dance While You Shoot is probably the paragon of politically charged song. At the same time, it is a paragon of club hit and it represents the brightest point on the record.
The author from Tel Aviv wants to spurs tension and terror and she succeeds in it. In song such as Toy, everything is bursting from heavy baselines and tense electronic effects. The rhythm of Pity is highly congruent with discussion about sexism and violence. Marching drums, hello! Experimental r’n’b side of the singer reminds me of Bjork and it can best be heard on Worth None. Global Fear flirts with trip-hop and shows her vocal abilities. Militant vibrations dominate Noisy. The song holds the most personal verse: Got a short term memory, Got no interest in the past, Got a phantom ache, Where I used to have a heart. Muezzin is reminiscing FKA Twigs and Banks.
After several repeats of the album, I can proudly conclude Off The Radar is one of the best releases this year. In my humble opinion, I think it deserves to enter top 10 of all year-end lists. I am talking to you, Pitchfork!
