A few weeks ago the show Sép7imo Day Cirque Du Soleil, which is mainly based on the work of Soda Stereo was finally premiered in Buenos Aires.
Paraphernalia around the show, the first Canadian company dedicated to a Latin American group, was accompanied by an HBO documentary that shows every detail of the project, the adaptation of the music of the Argentine group to the development of the respective choreographies.
In the film broadcast on the American channel you can see Zeta Bosio and Charly Alberti as primarily responsible for the creative process in the musical part. Both even seek the consent of the family of Gustavo Cerati, who provide the studio musician to be carried out everything relevant to the company.
It is clear that the changes made in the songs are needed so that there is a correspondence with the plot that develops in Sép7imo Day, risky modifications will be received with approval or not by the most fervent followers of one of the groups most important cult rock in Spanish.
In late March an interview published keyboardist Tweety González, considered the "fourth Soda" for the many times that accompanied the group in the studio and touring.
Musician, asked about the results of Sép7imo Day, said the portal The Pop Life: "I believe that Zeta and Charly ceded too much after what I needed circus, hurt a little music after the show, I had not given So ... If nothing Gustavo Gustavo is not done. He would have done another tour of Soda, two in fact. The idea was to tour every five years, was the 2012 and this year. And a new album Soda because they could not do another lap diskless. "
In the same interview, Gonzalez said: "I had to play, I was called to play some things again, but that is not Gustavo controlling everything, for me I know how things were back, it shows".
Now I ask from my naivete: If it seemed that everything done was so drastic, why he participates? Was it not more just refuse? Could it be that charged and then ranted project?
