After a major race in Venezuela and Berlin, among other places, the Venezuelan conductor Eduardo Marturet received in 2005 the witness, by the Cuban maestro Manuel Ochoa, to lead the Miami Symphonic Orchestra (MISO) or Miami Symphony Orchestra.
In his native country, he had already been artistic director of the Symphony Orchestra of Venezuela, as well as the Sinfonietta Caracas-an interesting initiative for academically music and musical director of the Teatro Teresa Carreño. As if that were not enough, he was also head of the Berlin Symphony Orchestra, with which he recorded over thirty albums.
Besides his work as an orchestral conductor, Marturet is also a composer.
But what we want to highlight this time is the brilliance that had the Miami Symphony with a director like Marturet. Thanks to their efforts, has achieved first position Miami as a place for academic music; action has joined other artistic character and that somehow have given a boost and importance to this US city, beyond fame as a holiday destination and shopping.
The second, which has attracted the attention of younger audiences. In this regard, well worth the form of program codes of concerts. For example, for the anniversary concert, to be held in May, not only sound classics, Mozart and Sibelius, but also be a work of the New York author Karen LeFrak, "Nothing Left"; music will definitely give a special sound that musical encounter.
