In a mature phase or their lives, many artists return to what inspired them when they were young. Bob Dylan would turn to the 30s and 40s of the past century. Paul McCartney would take a look back at the roots of rock 'n' roll. The third genius from the 60s, Brian Wilson, recorded albums such as That Lucky Old Sun and Brian Wilson Reimagines Gershwin. Many wondered how is it possible that the man who brought us plethora of exuberant melodies decided to play with Gershwin, but those were the people who didn't know that Wilson had a duet cover of Summertime with Sharon Marie in 1963. Plus, if you listen carefully to loud Pet Sounds, you will hear that Don't Talk and Caroline, No are more similar to late night jazz ballads of Nina Simone than they are to classic surf rock hits that made Brian famous. The connection that does cease here. Towards the end of the 60s, Brian will still land on the jazz territory (diamond Can't Wait Too Long will unfortunately be kept in the dungeon until the 80s). In the middle of the 70s, Brian recorded his solo album Adult Child that never saw the light of the day and it was fully influenced by Gershwin. But let's focus on the subject on this week's ThrowbackThursday. Brian Wilson Reimagines Gershwin saw Brian's vocal more jovial than ever before. It did not sound like he is dead inside. His interpretations of Gershwins standards were fun, but not necessarily essential. From the average of the album, I Got Plenty O' Nuttin stood out, an incredibly silly instrumental. Also, It Ain't Necessarily So and They Can't Take That Away From Me were shining in their mirthful fusion with a la Beach Boys back vocals. The audience and the critics took Wilson's interpretations as approachable. There is not much philosophy or some grandiose homage to Gershwin. Wilson's version of Gershwin will never sweep you off your feet in comparison to Nina Simone's versions. Still, in easy-listening concept, this record was a winner. Another asset of this record was that many people who adore Brian Wilson were introduced to the legendary Gershwin. Plus, let's not forget Wilson't growth in vocal interpretation abilities. Overall, I believe this is a perfect jazz 101 album, and that is why I have decided to remind you of it.
