Will Toledo is an unbelievably prolific author, the one who released ten albums in a period of just six years. Albeit he has been active since 2010, he managed to attract the audience with his latest two efforts that also brought him glorification by Pitchfork and Rolling Stone. He is a complete author of his music and lyrics, and this time, he is followed by a well-rounded band.
At first, I thought his voice reminded me of Jonathan Richman, but then I have realized that he manipulates with his instrument so well (and sings in three registers) that he can also resemble Stivon Malkmus (The Pavements) and Julian Casablancas (The Strokes). This might be a coincidence, but it is hard to believe that at least two of the three above-mentioned authors did not influence his vocal interpretation and lyrical output.
As a perfectionist, Toledo wanted to do everything on his own terms until now. The collaboration with the band has opened up his mind enough to record an album with the bunch of producers. Convergence of this factors have emerged into his best album yet. Recorded in Seattle, Teens Of Denial reflects indie rock of the 90s (sorry, guys, it is not grunge). Tension and release dynamic does not come as surprise.
What makes this album an authentic piece is a brilliant story about the inner fight with contradictions.
I’ve been waiting for some real good porn
Something with meaning, something fulfilling
Although the author sings about his contradictions, he knows them far to well to succumb to them.
Long story short: Teenage rebellion of the nineties is still alive, and the years have made it complex.
