MIA is a British multi-media phenomenon. Her primary passion is music and I wanted to take a look at her discography, right before she releases her upcoming fifth studio album. MIA grew up in a family of political activists, which is why political paradigms and revolutionary messages are always a part of lyrical side of her creations. This approach is what makes public buzz about her. Often criticized for her black-and-white perspective of the world, simplified perception of political situation and privileged position in society. These comments are not valid since MIA spend her childhood in a civil war, hiding in camps with her family. Whichever her opinion is, it is authentic and first-hand which gives MIA artistic integrity. What was never a question is a music side of the story.
Debut album Anular offered an eclectic mix of electronic, dance, hip hop and ethno. Even though description doesn’t sound that exciting, the album is still extremely interesting and progressive. Kala was even better than Anular and she took one step further in experimentation and magical combination of different genres. This was a burning cocktail everyone wanted to drink. From dirty dancefloors in South Asia to expensive California clubs, MIA became a worldwide phenomenon. Let’s not forget Paper Plans, one of the biggest hits of the decade.
Maya was probably her weakest record but she managed to return to the right road with Matangi. She took care production and the final result was tiring as much as interesting. Even though it sounded like we have heard it before, there was still a strong present of music adventure. Part of it are really hypnotizing, taking us to the dark underground tunnels where shamanic ritual occurs. Come Walk With me and Bad Girls are certainly the top of her career. Bring The Noize is another highlight.
CAN’T WAIT FOR THE NEW ALBUM! ARE YOU EXCITED AS MUCH AS I AM?
